An artistic haven emerges at Palette Art Gallery, where the spirit of Indian modernism is brought to life through a stunning exhibition titled “A Reconstruct.” This remarkable display offers a comprehensive look at some of the lesser-seen masterpieces of the iconic artist, Jeram Patel, affectionately known as Jeram Bhai. A maestro who was unafraid of delving into the uncharted territories of creation, he was renowned for his innovative use of the blowtorch on wood. The compilation of 28 meticulously selected pieces illuminates his creative journey from the 1960s up until 2016, granting patrons an unparalleled perspective on the trajectory of his art.
Jeram Patel was a man who cherished a modest lifestyle in Vadodara. He cemented his legacy as one of the key founders of ‘Group 1980’, a collective that adamantly promoted ‘the reality of the image rather than the image of reality.’ This manifesto not only highlighted their dedication to expanding the reaches of artistic expression, but it also intertwined deeply with Patel’s personal journey as an artist.
Initially destined to be unveiled in either 2006 or 2007, “A Reconstruct” encountered an unforeseen hiatus when Patel became unwell, leading to a halt in the event’s progression. However, its current incarnation—more than just an exhibition—is an immersive chronicle that guides visitors through various rooms arranged in chronological sequence, narrating the story of Patel’s evolving artistry.
Strolling through the aisles, an underlying question arises: Why did Patel never formally brand himself as an abstractionist? His ink-on-paper works invoke a sense of enigmatic allure, prodding audiences to craft and decipher forms within the depths of their own imaginations. Employing Chinese ink on paper—a medium that was a rarity during his active years—Patel developed a conspicuous fixation on the color black. The prevalent utilization of this dark hue casts an enchanting spell across his work, setting Patel apart from his contemporaries.
Delving deeper into the exhibition, one stumbles upon a captivating exhibit: an untitled blowtorch masterpiece on laminated wood dated back to 1960. The piece holds an almost mystical quality, seemingly emanating light from within, exemplifying Patel’s expert command over his chosen technique.
In a fascinating blend of cultural exchange and innovation, Patel’s journey in Japan introduced him to Shou Sugi Ban, the traditional Japanese craft of charring wood. He did not just master this technique, he was the vanguard of its introduction into the Indian subcontinent, cementing it as a cornerstone of his artistic repertoire. These earlier pieces are distinguished by their reliance on the raw, natural beauty of burnt wood—an ode to the purity of material and form.
Patel’s dedication to exploring mediums, techniques, and forms has left an indelible mark on Indian modern art—an exploration that is meticulously captured and retold within the walls of Palette Art Gallery. For followers of Patel’s work and first-time onlookers alike, “A Reconstruct” offers an invaluable retrospective into his innovative spirit and timeless contributions.
This seminal exhibition is hosted at Palette Art Gallery, situated at 14 Golf Links Road, Delhi, and will remain open for public admiration until February 17th. Visitors and art connoisseurs are invited to partake in this visual odyssey that commemorates and restores one of India’s artistic titans, Jeram Patel—an experience that promises to be as enlightening as it is aesthetically gratifying.